Bose soundmate bass8/27/2023 ![]() An internal, folded, labyrinthine transmission line also utilizing Bose’s QuietPort technology guides the rearward sound wave towards the port’s exit at the bottom front of the cabinet. That waveguide mates to the underside of the tempered glass top plate for a clean, streamlined appearance. Its front-firing sound wave meets a conical-shaped waveguide designed to increase laminar airflow and decrease driver turbulence. Examining the bass module and a cutaway drawing available online shows an approximately 10-inch woofer is mounted to the enclosure’s top surface. ![]() Roughly a cubic foot, the Acoustimass 300 hides plenty of room-rattling technology inside its inert, 30-pound enclosure. If high build quality is your jam, you’ll love the SoundTouch and Acoustimass combo. The SoundTouch will also accept Bluetooth and Wi-Fi audio signals. An optical digital input provides the only other hard-wired connection for audio signals both optical and HDMI port can accept Dolby Digital and DTS audio signals. The HDMI input includes 4K pass-through and an ARC-enabled output for convenience. Since the SoundTouch 300 is outfitted with a single HDMI input, Bose recommends routing all HDMI signals through your TV first and then to the soundbar for audio processing. Wireless surround speakers, called Virtually Invisible 300, can also be added if you’re looking to go that route. Another clue as to one of this soundbar’s key features lies in its moniker: All SoundTouch labeled devices are enabled with Bose’s wireless multi-room connectivity platform. These are said to increase bass output and perceived soundstage width, respectively. Inside that inconspicuous form factor lurks some of Bose’s latest sound enhancement wizardry, including its QuietPort and PhaseGuide technologies. Standing 38.5 inches wide, 2.25 inches high, and 4.25 inches deep, the SoundTouch 300 should fit unobtrusively beneath any TV its likely to be paired with. The only items inside the Acoustimass 300’s box, other than the sub, are the power cord and manuals. Other items inside the SoundTouch 300’s box include a universal remote control, ADAPTiQ calibration headset, an HDMI cable, one optical cable, a pair of AAA batteries, user manuals, and a power cord. Still, its compact yet ultra-dense form shows that Bose has packed some serious muscle into this sub. ![]() It features the same polished glass top and rounded edges as the SoundTouch, though not its metal casework. Once we freed the Acoustimass 300 from its solid, triple-layer box, we saw that it is finished to a similarly high standard. ![]() The smooth, perforated metal grille and polished glass top sheet invited us to run our hands over its aesthetically pleasing contours. form surprised us with its refined and inert design. Pulling the SoundTouch from its box resulted in a tactile pleasure rarely experienced with a soundbar. Read on to find out if Bose has succeeded. The company’s efforts have resulted in the SoundTouch 300 soundbar and Acoustimass 300 bass module, the pair of which promises “Best in class sound for your entertainment,” according to its website. With all of Bose’s little-speaker-equals-big-sound experience on tap, it’s no wonder Bose turned its attention toward a category that would benefit the most from such expertise: The soundbar. For our Bose SoundTouch 300 review we looked forward to seeing how Bose’s engineering history would play out in a slim and sleek soundbar. The 901 remains in production to this day, and numerous other Bose products have incorporated psychoacoustic enhancements, including the original Acoustimass systems, which added a guided wave, compression-loaded bass module. That speaker spawned the model 901, which utilizes psychoacoustic principles to develop direct and reflecting sound waves that Bose called, er, “Direct/Reflecting” technology. In fact, the company’s been designing speakers with this goal in mind ever since its first model, the 2201. If there’s one thing Bose has been doing longer than anyone else in the loudspeaker game, it’s finding ways to get huge sound out of small packages. Midrange/low treble instruments can sound tinny and bright
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